Courtney Barnett veröffentlicht ihr viertes Studioalbum »Creature Of Habit«, darunter die Single »Site Unseen« mit Waxahatchee.

»Creature of Habit« markiert einen entscheidenden neuen Abschnitt in Courtney Barnetts musikalischer Entwicklung. Es ist ein mutiges, emotional bewegendes Album, das sich mit der zentralen Frage beschäftigt: Wie kann man sich selbst aus dem Weg gehen, um sein Leben wirklich zu spüren? Geschrieben nach ihrem Umzug von Australien nach Los Angeles und der Schließung ihres langjährigen Labels Milk! Records, hatte Barnett mit Veränderungen zu kämpfen, die sowohl ihre Zukunft als auch ihre Karriere in Frage stellten. Anstatt diese Gefühle zu verinnerlichen, beschloss sie, all diese wirbelnden Verwirrungen direkt in den Aufnahmeprozess einfließen zu lassen.

Following three Top Five albums in her native Australia, Courtney Barnett took her longest break between records yet, waiting nearly five years to deliver the follow-up to 2021's presciently titled Things Take Time, Take Time. That period was one full of personal and professional upheaval for Barnett, including the shuttering of her career-long label, Milk! Records, and a relocation from Melbourne across the ocean to Los Angeles. There's a restless quality to the self-scrutinizing Creature of Habit that hasn't been as conspicuous in her music since her debut. Although it doesn't re-capture that album's angsty, barbed qualities, it does embody a similar nerviness in combination with the more singer/songwriter-oriented rock reflections of what came in between. Some of the album's mercurial nature may be due to the involvement of four producers -- Barnett, TTTTT's Stella Mozgawa, John Congleton (St. Vincent, Death Cab for Cutie), and Marta Salogni (Black Midi, Sharon Van Etten) -- but much of it can likely be attributed to wide-ranging emotions. For instance, Creature of Habit opens with the bluntly confrontational "Stay in Your Lane," an angular, punk-inflected tune with a message directed at herself. The next track, "Wonder," takes a dreamier, more reflective approach to Barnett's contemplating what others think of her. She wonders over humming keys and a pleasantly rhythmic jangle similar to the bittersweet Waxahatchee duet "Site Unseen." Produced by Congleton, the latter song is about letting go, moving on, and deciding, "Let's figure out the rest another day." Tracks like the midtempo rocker "One Thing at a Time" and the quirky, new wavy "Same" play with distortion or eerie synth timbres, respectively, while taking on the more-frustrated, cynical feelings that often come with change. Elsewhere, she looks for a sign in the praying mantis that appears on her studio door on the musically breezy yet lyrically unsettled "Mantis." Things take a more optimistic turn on the closer, "Another Beautiful Day," which pushes through the doubt, if with deliberate effort, eventually turning the song's title into an anthem.

(by Marcy Donelson, All Music Guide)