This is a classic, the epitome of the band's early Daevid Allen phase
with Ph.P.'s (pothead pixies) in full, blazing glory. In its infancy,
Gong was a unique prog rock band that branched out in all directions at
once while most other prog bands chose simply one path or another. Camembert
Electrique is a testament to that. The band's eclectic "electric
cheese" rock is a mixture of psychedelic rock, spacy atmospherics
and lyrics, and doses of jazz often presented with a pop sensibility,
yet always intense. From the first cut on Camembert, you are transported
to planet Gong via the voice of a "radio gnome" who drops in
intermittently to remind you you're not in Kansas anymore. Daevid Allen
leads the band through several compositions musically (not lyrically)
reminiscent of, and possibly influenced by, early King Crimson -- a hard,
raw-edged sound propelled by a strong guitar-sax-percussion combo. Drummer
Pip Pyle played on only a few Gong sessions; he is a major figure here,
as is saxophonist D+6idier Malherbe. Both are up front on the wailing
progressive rocker "You Can't Kill Me," which also features
guitarist Allen in top form. Allen's declarative "I've Bin Stone
Before," the first part of an inventive three-song medley, is of
particular interest; introductory church organ and avant-garde sax make
this another unique Gong experience. But the real gem on Camembert is
"Tropical Fish: Selene." This jazzy composition is the most
involving and intricate piece on the recording. The band moves tightly
through several progressive movements and Gilli Smyth scores with her
trademark "space whispering." Camembert Electrique remains undated
after almost 30 years and hovers "strong and steamin'" over
most of the Gong catalog.
(by David Ross Smith, All
Music Guide)
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