Vor drei Jahren erschien mit "One-Armed Bandit" das letzte reguläre Studioalbum des norwegischen Kollektivs Jaga Jazzist, die uns ein humorvolles episches Meisterwerk zwischen Prog-Rock, Jazz, Afrobeat und elektronisch angehauchtem Post-Rock servierten.

Mit "Live With Britten Sinfonia" erscheint jetzt ihr erstes und längst überfälliges Live-Album. Aber Jaga Jazzist überraschen uns nicht mit einem konventionellen Live-Album, sondern kollaborieren mit dem britischen Sinfonia Orchester und liefern uns einen astreinen psychedelischen Soundtrack irgendwo zwischen Bond und Lalo Schifrins "Black Widow", verfeinert mit Einflüssen aus Afrobeat, Jazz, Prog und Elektronik. Mit fantastischen Live-Versionen von "One-Armed Bandit" und "Bananfluer Overalt"!

Neue E-Musik und Rock stehen hier gleichberechtigt neben improvisiertem Jazz. ... zwischen aufbrausenden Tutti und lyrischen Pausen weiß der Hörer eigentlich nie, was im nächsten Takt auf ihn zukommt. Spannend!

(stereoplay, Juni 2013)

Given the depth of Jaga Jazzist's sophistication and their wide-ranging musical vision that encompasses everything from free jazz to hip-hop, from techno to funk, from rock to modern composition, this Norwegian ensemble is a natural partner for a collaboration with the internationally renowned Britten Sinfonia under the direction of Christian Eggen. The material was chosen from JJ's catalog (particularly from the One-Armed Bandit album, which they were touring in support of), and is beautifully arranged, performed, and recorded. While the lengthy treatment of "One-Armed Bandit" opens with strings, brass, and winds playing something that resembles a cadenza from one of the Sinfonia's namesake's symphonies, it quickly quiets down into the nearly pastoral for a few minutes before JJ enters with a persistent beat-head pulse, and the piece morphs into a symphonic, progressive jazz workout with a fantastic array of colors. The plucked strings and bass clarinet that introduce "Kitty Wu" set up a compelling juxtaposition that expands to include synths, loops, breaks, and a contrapuntal dialogue between electric guitars, brass, organic and synthetic rhythms, striding strings, and expansive winds. Not all of this gig works, however. At nearly 11 minutes, "Bananfluer Overalt" reveals surprisingly little in terms of contrast, dynamic, or adventure -- even with its killer rock guitar solo -- and "Toccata" says more about the Sinfonia than it does JJ; the winds shine brighter than the brass-heavy, Euro-big-band chart. Neither of these pieces is dull, it's just that the earlier part of the album creates great expectations. Thankfully, those are met on the set's last two pieces, the formidable rock and sonic effects fireworks that color the orchestra's pulsing energy on "Music! Dance! Drama!," and the beautifully articulated tonal and textural journey that transforms this reading of "Oslo Skyline." While Live with the Britten Sinfonia may be too formal to provide the wild, free-ranging ride that one might expect from this adventurous lot, it is dazzling in its own right and in almost all the right ways.

(by Thom Jurek, All Music Guide)