Auf ihrem Debüt für das Label Anti beeindruckt die Singer / Songwriterin nicht nur mit dem für sie typischen, immer leicht hypnotisch wirkenden Sound, sondern auch mit einer gereiften Stimme, die mit einer regelrechten Seelentiefe und einem intimen Sinn für Details brilliert.

Produziert von Tucker Martine (R. E.M., My Morning Jacket u. v. a.) ist "Sugaring Season" bis dato das musikalisch sowohl anspruchsvollste als auch gelungenste Album der Engländerin. Reiche orchestrale Texturen werden von einer meisterhaft jazzigen Rhythmussektion, modalen Folkgitarren und einem Music-Hall-Klavier begleitet, daneben erklingen herzzerreißende R&B-Balladen. Ein Track wie "Magpie" wiederum, mit seinem massigen, groovenden Loop, mag Ortons Fans daran erinnern, dass sie früher mal für die Chemical Brothers gesungen hat.

So fasst "Sugaring Season" in mehrerlei Hinsicht Ortons Kunst zusammen, Widersprüchliches zu vereinen, und schlägt den Bogen vom ersten John-Martyn-Cover, das sie seinerzeit mit William Orbit aufnahm, bis hin zur heutigen Grandezza aus Wort und Sound, Wohlklang und Rhythmus.

Beth Orton will release 'Sugaring Season,' her first album in six years and her Anti- Records debut. Recorded in Portland, Oregon, with producer Tucker Martine (My Morning Jacket, The Decemberists), the album bears the fruits of a period of introspection & renewal: deeply lyrical songwriting, a newfound expressivity of voice, and, more than ever before, a daring synthesis of her broad musical influences into a powerfully individual artistic vision. "I stretched myself as a singer on this record and used voices I never have before as a writer," she explains. "A lot of the writing on this record happened in the dead of night, when spiders mend their webs, with an infant asleep in the next room... as a result, my writing became a secret again: illicit and my own."

For 'Sugaring Season," Orton and Martine have brought together a dream band of new and old friends: keyboardist Rob Burger, bassist Sebastian Steinberg, and legendary jazz drummer Brian Blade, along with guitarists Marc Ribot and Ted Barnes and folksinger Sam Amidon. The album was recorded predominantly live on the floor as the band reflected and internalized Beth's disparate inspirations, from Roberta Flack's 'First Take' album to Pentangle's folk-jazz collisions. The songs range across styles from deeply soulful to effortless and breezy, with open-tuned guitars, pensive pianos, and modal grooves underpinning her emotional weathervane of a voice.

While Orton has shifted away from the electronic textures that dominated her early work, her music is still built upon an implicit groove, even if it emanates from her acoustic guitar rather than from a sequencer. "It may not be a 'dance' beat," she says, "but it's definitely there and it's earthed and primal and insistent."

Beth Orton is a BRIT Award-winner and two-time Mercury Prize nominee who has collaborated with Bert Jansch, Emmylou Harris, Beck, Jim O'Rourke, Terry Callier, and Ryan Adams among others. Her last album, 2006's 'Comfort of Strangers,' was called "unerringly lovely" by SPIN and "her most accomplished record to date" by Uncut.

(anti. com)

Die Sängerin aus dem britischen Norfolk betört mit folk-informierter Singer / Songwriter-Kunst von hohen Gnaden.

(musikexpress, Oktober 2012)