On this album, the Saints shift gears yet again. A Little Madness to
Be Free takes the band (which is actually just a vehicle for singer Chris
Bailey at this point) in a denser more layered direction. This time, brass
and strings dominate with lush acoustic guitars underneath. Obviously,
any trace of the punk band that was, is gone. The power, however, remains.
Like it's follow up, the devastating All Fools Day, this record explores
the depths of irony, and the ironies of depth. Through exploration of
the soul there is (musical at least) redemption. From the incredibly beautiful
photo of a bay at sunset on the album cover, to the opening track, "Down
the Drain," the tone is set. "Still I think it's better to stand
out in the rain/ then go slipping on down the drain," Bailey sings.
A melancholy rainy day vibe so damn gray it's vibrant. You can't help
but be transported by it. This is the kind of album that makes you think
about stuff. Stuff you'd rather not think about, like, "what the
hell have I done with my life." Somehow there is catharsis, so the
end result is not an overall bummer. The somber and powerful, "Photograph"
tells of a lost love, and the beautiful, "Angels" will leave
you singing along ("we can't waste another day") to the point
of wanting to play the track again. The album concludes with one of Bailey's
all time classic songs, "Ghostships," a track so amazing he
went and put it on several more albums, re-recording it twice. While electric
guitars are not the centerpiece of the sound here, the layers make for
an equally powerful experience. Suprisngly, there are really no keyboards
to speak of, which is very unusual for a non-guitar rock album. By this
point in his career, Chris Bailey had come into his own as an arranger
and it really shows. Certainly one of their most obscure discs, but ultimately
as rewarding as the classics, I'm Stranded, Eternally Yours and All Fools
Day.
(by Geoff Ginsberg, AMG)
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