Chris Bailey returns with another batch of catchy rock songs on Prodigal
Son, though it rarely reaches the heights of his last album, All Fools
Day. In retrospect, Hugh Jones' ornate production brought out the best
in Bailey's songwriting and gave each song its own identity, something
that many of the songs here struggle to establish. There are some standout
tracks, like the powerful "Ghost Ships," the acoustic "Shipwreck,"
the bouncy "Sold Out," and a spirited cover of the Easybeats'
"Music Goes Round My Head" (produced by Harry Vanda and George
Young). But most of the material is simply intelligent rock with a slight
edge, similar to the work of Graham Parker (e.g., "Massacre")
and producing the same pleasant and slightly prickly results. A few songs
openly question the cost of stardom, suggesting that Bailey may have felt
some pressure to duplicate the success of his last effort. To his credit,
Prodigal Son is a harsher record in many ways, revealing his punk roots
in vocals that kick up a certain amount of surliness. The opening track,
"Grain of Sand," remains one of his more popular songs, even
if it's not appreciably better than any number of cuts on the album. And
the stripped-down production lends a raw, honest quality to songs like
"Tomorrow" and "Stay," two of the album's better tracks.
Despite more lineup changes (original drummer Ivor Hay is noticeably absent),
Chris Bailey keeps the Saints afloat with another good album, which is
a success in itself.
(by Dave Connolly, AMG)
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