| Within the year to come, Loudon Wainwright III would enjoy 
      his brief moment of fame with the single "Dead Skunk." Reaching 
      the number 16 position on the Billboard chart and appearing on his third 
      album, the musical approach to the tune differed a lot from his first two 
      LP releases. Album 1 and Album 2 didn't feature a band -- they simply presented 
      the artist with his guitar (and occasionally on piano). Thus, compared to 
      his later albums, the songs on Album 2 appear less melodic. Naturally, the 
      listener is directed to what matters most: Wainwright's imaginative and 
      often funny lyrics. Combined with the unique manner in which he delivers 
      them -- part regretful, part nearly hysterical -- his views are essential 
      to his performance. For all it matters, he's not that good a singer, but 
      whenever he tries to reach a higher note, it makes the implications of his 
      songs more tragicomic. Every once in a while he's rediscovered for this 
      specific talent and his fan base expands a little further. From the lyrics 
      on this record, it is clearly noticeable that Wainwright grew up, if only 
      a little. His then-wife, Kate McGarrigle, had given birth to their son Rufus; 
      hence, Wainwright offers an insightful account of fatherhood in "Be 
      Careful There's a Baby in the House" and, in all honesty, gets away 
      with a line like "For the coochie coochie coo is a lot of pooh pooh." Elsewhere, there's "Samson and the Warden," the famous story 
        of the singer ending up in an Oklahoma jail (for smoking pot), pleading 
        hysterically with the merciless warden not to cut off his hair and beard. 
        Also worth mentioning is the trademark Wainwright suicide trilogy, which 
        could be comprehended as a sort of pre-study to 1986's sublime "I'm 
        Alright." For instance, compare the former "When you get the 
        blues and you wanna shoot yourself in the head/It's alright, it's alright/Go 
        ahead" to the latter "So I went to the bathroom, to the medicine 
        chest/There was razor blades and sleeping pills and all the rest/But I 
        was in control baby, I was so relaxed/I found myself my dental floss, 
        my favorite kind: unwaxed!" The undeniable highlight is, of course, 
        "Motel Blues." Covered by the likes of cult band Big Star and 
        Dutch band Daryll-Ann, it's a song about the more depressing aspects of 
        touring. The content of the lyrics will have you crying on the bed, especially 
        at the point where Wainwright tries to convince a girl to spend the night 
        with him in exchange for a song about her on his next LP. Good old Loudon 
        was once threatened with having his genitals removed by a hostile female 
        DJ, while he sang it during a women's liberation program on the radio! 
        All the more reason to get to know the singer or at least this song better. 
       (Quint Kik, All Music 
        Guide) |